Q&A
John Wilcox
from Arlington, VA asks:
(1) If
physical communities can form libraries for the
purpose of sharing copyrighted materials with
community members, why can't virtual
communities?
(2) If I
can go to my local library and check out a CD for
free, why can't I copy a digital CD from an online
friend? And if I like a song enough to re-record it
onto a cassette, why can't I copy the song from a
digital server? What are the fundamental differences
between the library setting and Internet
file-swapping services that make the former both
ethical and legal, and the latter unethical and/or
illegal? Don't both the public library and online
file-sharing services serve the same public
interest?
Lawrence
Lessig from Stanford Law School responds: Let's
distinguish "can" from "should."
Simplifying just a bit: Why "can't" you?
Because when virtual communities "share"
materials, they make copies, and copyright law
regulates copies; when real space libraries
"share" content, they don't make copies,
so copyright law doesn't regulate that.
But should
there be such a difference? No. Our tradition has
always recognized the importance of balance in
copyright restrictions; it has always recognized the
importance of access.
There is no
reason that the technical accident that everything
online is a copy should mean the end of libraries.
Obviously, libraries shouldn't become the pirates
lair. But neither should the Internet obliterate
libraries.
Matt
Oppenheim from the Recording Industry Association of
America responds:
(1) The
idea of a virtual community that "shares"
music is a great idea. Unfortunately, that is not
what is happening on P2P [peer-to-peer] networks
these days. Networks like Kazaa, Gnutella, iMesh,
Grokster and Morpheus, among others, are encouraging
and helping individuals to distribute perfect
digital copies of music to millions of strangers
simultaneously.
Nobody is
really "sharing" as we traditionally think
of the term. Sharing involves lending something to
somebody, and while it is on loan, the owner no
longer has it. "Sharing" in the P2P
context has become a euphemism for
"copying." That copying is neither legal
nor ethical.
(2) Just
because you physically can check a CD out of the
library and copy it does not mean that it is legal
to do so. Similarly, just because a car is sitting
idling and unlocked does not mean that you can get
in it and drive it away for your own use.
Intellectual
property should not be treated any differently than
other property. Unless you buy it, you should not
copy it for your own use. Indeed, there is no
question under the law that copying a CD you borrow
from the library is copyright infringement (we just
never have enforced against that extremely limited
amount of infringement).
From an
ethical perspective, when individuals engage in
illegal copying, they are taking money out of the
pockets of all of the people who have put their hard
work into making the music. That includes everyone
from the famous rock star to the woman working the
sound boards to the back up singers to the truck
driver who delivers the CDs. There is nothing
ethical in this. If art of any form is going to
survive and flourish in our culture, we need to
support it and protect it. When you buy a CD, you
should feel free to copy it for your own use. So, if
you buy a CD that you keep at home, you should feel
free to make a copy that you have in your car. It is
not legal, ethical or cool to copy somebody else's
CD for your own use.
Comments? Write to: scott@meadiaproductions.com
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